Archives

2002

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Vol 26, No 2 (2002): Special Issue: Gender, Globalization, and Development

Cover image: Detail from Philippine fabric pattern, courtesy Albina Fernandez

2001

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Vol 26, No 1 (2001)

Cover image: "CWAC Barracks," Molly Lamb Boback, CN12019, Copyright Canadian War Museum.
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Vol 25, No 2 (2001): 25th anniversary volume: part two

Cover image: "An Atlantis Gallery" - top row, left to right: Marilyn Porter, June Corman, Sheila Brown and Christine St. Peter; centre, leftto right: Ann Manicom and Alissa Trotz; bottom row, left to right: Rhoda Zuk, Ena Dua, Cecily Barrie and Keith Louise Fulton.

2000

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Vol 25, No 1 (2000): Special Issue: Feminism and Canadian History (25th anniversary volume part one)

Cover image: "Emerging Woman"- Revised. From a photo of the sculpture by Susanne Kaplan-MacKay used on the cover of our firstissue. Volume 1.1, Fall 1975.
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Vol 24, No 2 (2000): Special Issue: "Whose Canada is it?"

Cover image: Photo montage with ink wash. S.J. Martin.

1999

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Vol 24, No 1 (1999)

Cover image: "Les Soeurs Clarisses. Le jardin/The Garden. Valleyfield, 1991." Clara Gutsche. Photo courtesy of Mus6e d'art de Joliette.
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Vol 23, No 2 (1999): Special Issue: Sexual Economics

Front Cover Photo: Michele Pujol. Montage by Jaclynne Campbell, Media Services, SFU and photographs by Brook Holdack, 1992-1997.



1996

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Vol 21, No 1 (1996): SPECIAL ISSUE: Connecting Practices Doing Theory

Front Cover 
Women farmers planting winter brassicas at the ALM Organic Farm on southern Vancouver Island, photograph by Sheila Tsai Whincup, 1994

1995

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Vol 20, No 1 (1995)

Cover art from Blomidon Cow, Nancy Edell, 1981, MSVU Collection. Photo by Alex Chisholm.

1993

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Vol 19, No 1 (1993)

Cover art from Jacob Cats, Houwelyck, Zeelandt,Voor Barent Arentsz Berentsma, 1663.


1991

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Vol 17, No 1 (1991)

Diane Pearce, "B(e)aring" (5th of series of 9).

1992

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Vol 17, No 2 (1992)

This issue's guest artist is Dianne Pearce of Montreal, Quebec. In addition to an interview with the artist, we are featuring in this issue selections from her 1990 series of nine drawings: "The Weaker Vessel (I Peter 3:7)." Each drawing is made of two or three layered xeroxed acetates, photo corners; each drawing is 3" X 3" sqaure.

1990

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Vol 16, No 1 (1990)

"Now she embarks (leaving behind family and friends) in pursuit of her soul. Farewell!," Roxanne Smith.
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Vol 15, No 2 (1990)

Marie Koehler-Vandergraa, Joan's Room, 1990, Mount Saint Vincent University: Mural, 7.5' X12'; 300 photographs, mounted.

1989

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Vol 14, No 2 (1989)

COVER AR T BY PAULETTE TURCOTTE

1988

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Vol 13, No 2 (1988)

COVER ART Da Capo, Musical Postures, 44 Aquatint Etchings Printed on 300 g mould-made paper Size of the Copper plates 150 x 100 m m Format of the Sheets 267 x 197 m m Each etching is numbered and signed by the artist In clothbound case. Edition limited to 200 copies. Gertrude Degenhardt, born 1940 in New York, was brought up in Berlin-West. Since 1966 she has worked as an independent painter and graphic artist. In 1968 she was awarded the Graphi c Art Biennial i n Crocov/Poland, and in 1976 she won the Graphi c Art Biennial i n Fredrikstad/ Norway. Presently she lives and works i n Mainz , and exhibits at home and abroad.


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