Liberal Spaces: The Costs and Contradictions of Reproducing Hegemonic National Subjects in Ang Lee’s The Wedding Banquet and Brokeback Mountain
Focusing on director Ang Lee’s films The Wedding Banquet and Brokeback Mountain, this paper explores the ways in which Lee’s articulation of queer intimacy in liberal spaces reproduces the regulatory functions of patriarchal, late-capitalist Eurocentric discourses of modernity.
Cet article est basé sur les films The Wedding Banquet et Brokeback Mountain, du réalisateur Ang Lee, et il explore les façons dont l’intimité homosexuelle représentée par Lee dans des lieux libéraux reproduit les fonctions réglementaires des discours patriarcaux et eurocentriques de la fin du capitalisme au sujet de la modernité.
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