Zola's Women: The Case of a Victorian 'Naturalist'
Abstract
EmileZola is remembered as the leader of French Naturalism, an opponent of prejudice, an enemy of the Church, a friend of the working-class and even of women. Through his aesthetic principles based on Science, Truth and Experimentation he claimed to strive for objectivity and proposed his fiction as a faithful reflection of the reality of his time. Yet, an analysis of his thirty-one novels shows that Zola, in fact, devised a new myth of woman, crowding his fiction with mythologized creatures, and creating a "new" idol strangely resembling the Virgin Mary.Metrics
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication, with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are aware that articles published in Atlantis are indexed and made available through various scholarly and professional search tools, including but not limited to Erudit.
3. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
4. Authors are permitted and encouraged to preprint their work, that is, post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process. This can lead to productive exchanges, as well as earlier and greater citation of published work. Read more on preprints here.
